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      Exhibition

      Edmonia Lewis: Said in Stone

      On view February 14 to June 7, 2026

      Today's hours:

      10 am–5 pm

      Monday

      10 am–5 pm

      Tuesday

      Closed

      Wednesday

      Closed

      Thursday

      10 am–5 pm

      Friday

      10 am–5 pm

      Saturday

      10 am–5 pm

      Sunday

      10 am–5 pm

      Monday

      10 am–5 pm

      Tuesday

      Closed

      Wednesday

      Closed

      Thursday

      10 am–5 pm

      Friday

      10 am–5 pm

      Saturday

      10 am–5 pm

      Sunday

      10 am–5 pm

      Explore the first retrospective of acclaimed 19th-century Black and Indigenous sculptor Edmonia Lewis.

      TOP IMAGE Edmonia Lewis, Hagar, 1875. Carved marble. Smithsonian American Art Museum, Gift of Delta Sigma Theta Sorority, Inc., 1983.95.178.

      Born in Greenbush, New York in 1844, Lewis became the first sculptor of Black and Indigenous (Mississauga) descent to achieve international recognition. Beginning her career in Boston in 1863, she traveled to Rome in 1866 to join the leading American sculptors of her generation, breaking international, racial and gender barriers. "Sometimes the times were dark and the outlook was lonesome, but where there is a will, there is a way,” Lewis recalled in 1878. “That is what I tell my people whenever I meet them, that they must not be discouraged, but work ahead until the world is bound to respect them for what they have accomplished.”

      Following her death in 1907, Lewis’s legacy endured in Black communities yet her contribution to American sculpture has largely been underrecognized. Some of her great masterpieces were rediscovered decades later, while others remain lost today.

      Her vivid, naturalistic stone sculptures feature abolitionists and social reformers, engage with Indigenous identity, and give new life to religious and mythological figures.

      Discover the first museum exhibition of its kind to gather the full range of Lewis’s art alongside works by her contemporaries and the generations of artists she influenced. Together these 100 objects foreground Lewis’s life and work within her worlds and reveal her true mastery of marble.

      Follow along on social media using #EdmoniaLewisatPEM

      Edmonia Lewis: Said in Stone is co-organized by the Peabody Essex Museum and the Georgia Museum of Art at the University of Georgia. Major support is provided by the Terra Foundation for American Art, the Henry Luce Foundation, the Wyeth Foundation for American Art, Carolyn and Peter S. Lynch and The Lynch Foundation, and Karla and Jeff Kaneb. We thank Jennifer and Andrew Borggaard, James B. and Mary Lou Hawkes, The Creighton Family, Chip and Susan Robie, Karla and Jeff Kaneb, Timothy T. Hilton, and an anonymous donor as supporters of the Exhibition Innovation Fund. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
       

      Terra Foundation for American Art
      Henry Luce Foundation
      Wyeth Foundation for American Art


       

      EXHIBITION TOURING SCHEDULE
      Georgia Museum of Art | August 8, 2026–January 3, 2027
      North Carolina Museum of Art | April 3–July 11, 2027

      Augustus Marshall Portrait of Edmonia Lewis about 1870

      Augustus Marshall, Portrait of Edmonia Lewis, about 1870. Carte-de-visite albumen print. Collection of the Smithsonian National Museum of African American History and Culture, 22.1.5.

      Edmonia Lewis Portrait Bust of a Contadina 1872

      Edmonia Lewis, Portrait Bust of a Contadina, 1872. Marble. The McGuigan Collection. Photo by Stephen Petegorsky.

      Edmonia Lewis The Old Indian Arrow Maker and His Daughter modeled 1866 carved 1867

      Edmonia Lewis, The Old Indian Arrow Maker and His Daughter, modeled 1866, carved 1867. Marble. North Carolina Museum of Art, Raleigh. Gift of Marilyn Jacobs Preyer, 2022.6.

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      Press Release

      PEM debuts the first major retrospective exhibition of acclaimed 19th-century Black, Indigenous sculptor

      Press Release

      PEM debuts the first major retrospective exhibition of acclaimed 19th-century Black, Indigenous sculptor

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