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      Artist Panel

      Whose Memory Do You Carry?

      Saturday, February 14, 2026 from 2:30—3:30 pm

      Edmonia Lewis photographed sitting at a table wearing a long sleeved shirt

      Know before you go

      In-person event
      Location: Morse Auditorium

      Included with admission

      To celebrate the opening day of Edmonia Lewis: Said in Stone, join exhibition curators and contemporary artists for a reflective conversation on Edmonia Lewis herself. As the first woman artist of Black and Indigenous descent to achieve widespread international acclaim, Lewis was famous during her lifetime in the late 1800s. However, her remarkable career and marble sculpture have largely remained underrecognized — until now.

      Join us for this special occasion to hear artists Gisela Torres and Alberta Whittle discuss how Lewis’ legacy inspires their own art making, and hear scholar Melissa Ragain talk about her research into Lewis’ transatlantic impact. Themes of memory, absence, endurance and transcendence will guide the discussion to celebrate Lewis’ vision and the worlds she carved into being.

      About our collaborators

      Jeffrey Richmond-Moll
      Jeffrey Richmond-Moll

      Jeffrey Richmond-Moll, the George Putnam Curator of American Art, joined PEM in 2023 and now oversees an expansive collection that encompasses over four centuries of American art, culture and creative expression. Most recently serving as curator of American art at the Georgia Museum of Art, on the campus of the University of Georgia, Richmond-Moll has a wide range of expertise in American art from the colonial era to the late 20th century. He pursues interdisciplinary, experimental curatorial strategies to tell compelling, inclusive stories about our nation’s past, present and future. His highly collaborative practice seeks to forge connections across media and time periods and unlock new ideas about American art and identity. Richmond-Moll received his Ph.D. and M.A. in art history from the University of Delaware and a B.A. in art and archaeology from Princeton University. He is the former co-chair of the Association of Historians of American Art.

      Gisela Torres
      Gisela Torres

      Gisela Torres is a New York-born, London-based artist of Cuban heritage working across traditional and digital media. She is the creator of Looking for Edmonia, a Roman Ghost Story in Paper Sculptures. Trained as a photographer and filmmaker, her practice focuses on presenting the dynamic interplay between traditional and emerging art forms to depict narratives of a personal nature where the familiar, mysterious and otherwordly co-exist. Through still and moving images, self-portraiture, performance, printmaking, sculpture and new technologies, she hopes to engage the viewer into a contemplative and reflective landscape with atmospheric and playful intention. As a freelance arts educator, she delivers talks and workshops on exhibitions, visual literacy and photography to young people, adults and outreach communities.

      Melissa Ragain
      Melissa Ragain

      Melissa Ragain, Ph.D. is an art historian and a professor at Montana State University, where she teaches courses on modern and contemporary art history, specializing in environmental aesthetics and the intellectual history of art. She is the author of Domesticating the Invisible: Form and Environmental Anxiety in Postwar America, and the editor of author Jack Burnham’s Dissolve into Comprehension: Writings and Interviews, 1964–2004. Her writing has appeared in Art Journal, Art Journal Open, Hyperallergic, X-tra Contemporary Art Quarterly, ARTLIES, Criticism and American Art. Based in Livingston, Montana, she is currently researching the importance of environmental emplacement to artmaking in the Great Plains and Rocky Mountains.