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      Connected | June 29, 2021

      Curating climate change and a museum-wide environmental initiative

      Janey Winchell

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      Janey Winchell

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      ABOVE IMAGE: Wes Sam-Bruce and Armando Silva create a collaborative canvas inspired by Earth Day for School Vacation Week. Photo by Kathy Tarantola/PEM.

      As the director of an interactive art and nature space, I’ve included climate change as a topic in many shows and programs. But I had convinced myself that focusing an entire exhibition on climate change would be a mistake. I thought, “It’s too big, too depressing, and no one will want to come see it.” Yet here I am, curating an exhibition about our climate’s future, co-curating two other climate-related shows and co-leading PEM’s new Climate + Environment (C+E) Initiative.

      So, what happened? It started with a sudden, profound realization that I could no longer not do an exhibit on the climate crisis, and more specifically — on climate action. An important first step was to transform my own feelings of powerlessness and overwhelm into positivity and hope. Talking about what’s possible, in the face of fear, helped me spur the broader initiative here at PEM. I’m writing this to empower colleagues at other museums to start (or continue) having real and difficult conversations within their own institutions about how to be in action to help create a different climate future.

      ABOVE IMAGE: Where the Questions Live: An Exploration of Humans in Nature is a curiosity-driven, format-bending romp with artist Wes Sam-Bruce that investigates the connections, metaphors and experiences of human beings within the natural world. The exhibition resulted from a year-long exploration with the community and is on view at PEM through January 2, 2022.


      Long before the launch of our C+E Initiative, PEM had been working internally to be more green and sustainable — including converting to more energy-efficient lighting systems and implementing a more robust recycling and waste-stream reduction program. That was a good start. Going forward, consideration of climate friendly and sustainable options will be more integrated into PEM’s overall review process. It was affirming to hear our incoming executive director, Lynda Roscoe Hartigan, bring up climate change as a societal priority at a recent virtual All Staff meeting.

      Programs kicking off an Art & Nature Center installation in 2019. Photo by Mel Taing
      Programs kicking off an Art & Nature Center installation in 2019. Photo by Mel Taing/PEM.


      The museum’s C+E Initiative is meant to be an iterative, multifaceted and adaptive response to the climate and environment crisis. Visualize a wheel with many different moving spokes that point both outward (through exhibitions, programs and community initiatives) and inward (internally-driven projects, activities and policies). One of the “inward” spokes is the establishment of a brand new “C+E Staff Ideators” team, comprised of about a dozen interested staff from across the organization. We will meet monthly to generate ideas, concerns and propose opportunities for consideration at the executive level.

      Guests in Alexis Rockman’s Shipwrecks.

      The primary “outward-facing” spoke of our initiative is a series of diverse exhibitions and installations that look at the environment and climate from a range of perspectives, topics and time periods. The first was a contemporary artist’s foray into the impact of maritime trade on the environment in Alexis Rockman: Shipwrecks, which closed May 31, 2021.

      Guests in Alexis Rockman’s Shipwrecks.

      Our summer exhibition, In American Waters, is on view until October 3, celebrating the sea as an expansive way to reflect on American culture and environment. Next will be the North American premier of an immersive experience of natural soundscapes in The Great Animal Orchestra: Bernie Krause and United Visual Artists (November 20, 2021–May 22, 2022). Then, in February 2022 PEM will launch the “anchor” show of the C+E Initiative, Climate Action: Inspiring Change (February 19, 2022–Summer 2023) an interactive, family friendly, Art & Nature Center exhibition, created in partnership with The Climate Museum. This interdisciplinary, multi-artist exhibition will emphasize known solutions and opportunities, with the intention of fostering hope, positivity and urgent action on climate change. PEM will also be the coordinating institution for a touring show opening next March that offers a unique and memorable take on the climate and environment crisis. Down to the Bone: Edward Koren and Stephen Gorman (March 12–September 5, 2022) juxtaposes Gorman’s haunting photos of polar bears with New Yorker artist Koren’s imagined scenes of bemused human-like creatures in the Anthropocene. The final exhibition of the current C+E series will be Konstantin Dimopoulos: The Blue Trees (April 2022–Spring 2024). This “call to action” by the artist will be created outdoors, with public participation, on PEM’s campus.

      ABOVE IMAGE: Stephen Gorman, Overshoot (2017). Photograph. Courtesy of the artist.


      In addition to exhibitions, PEM has started offering related programming for adults and families, including a three-part virtual COVID-19 and Climate series that explored what we’ve learned from the pandemic that might help us tackle climate change and elevate environmental justice. One key take away? “Flattening the curve” of climate change will make a big difference. The museum’s ongoing series of virtual Drop-In Art Activities has included an array of environment-themed projects, designed to raise awareness and appreciation for nature, particularly in young makers.

      Virtual Drop-in Art Making: Arbor Day Tube Tree. Freeze frame from a DIY project using recycled paper towel tubes.
      Virtual Drop-in Art Making: Arbor Day Tube Tree. Freeze frame from a DIY project using recycled paper towel tubes.


      For April school vacation week, we invited two artist educators, Wes Sam-Bruce and Armando Silva, to create Earth-themed activities and art experiences for families to explore different ways of connecting to and celebrating the Earth. Future programming will feature youth voices, performing artists and scientists, as well as collaborations with community organizations and initiatives, such as Salem Sound Coastwatch and Resilient Together (Salem and neighboring Beverly’s climate action plan), among others.

      Another outward-facing spoke of this initiative is emerging in our PEM Shop. Our Director of Merchandising, Victor Oliveira, is actively sourcing sustainable items and product lines — including clothing.

      Salem artist Meg Nichols created this watery environment along Essex Street in Salem to accompany PEM’s summer exhibition In American Waters. Photo by Kathy Tarantola/PEM.

      He is also raising visibility about sustainability in our shop and across the museum field by presenting at conferences, including the recent @Cultural Enterprises Conference.

      Salem artist Meg Nichols created this watery environment along Essex Street in Salem to accompany PEM’s summer exhibition In American Waters. Photo by Kathy Tarantola/PEM.

      Photo by Kathy Tarantola/PEM.
      Photo by Kathy Tarantola/PEM.


      Engagement with our local community is a third important outward-facing spoke of the initiative. Salem’s historic nature and coastal location makes it particularly vulnerable to escalating storm events and rising sea levels. The museum is helping host the city’s first annual climate change conference this September. This year’s hybrid event will focus on what’s anticipated for Salem and what’s being done locally to both mitigate impacts and build resilience — particularly with regards to the community’s many historic properties.

      ABOVE IMAGE: PEM’s East India Marine Hall was completed in 1825. Photo by Ennead Architects.


      I am deeply grateful for representatives from local and regional organizations that have stepped up to serve as invaluable advisors and collaborators for the planning of the Climate Action exhibition and the C+E Initiative overall. They have brought diverse expertise and cultural backgrounds, along with a shared commitment to a stable climate and environmentally just future for all. I could not be undertaking these projects without them or my devoted and talented colleagues at PEM who are making this initiative happen.

      New Earth Ceremony with Tatfoo Tan in 2019. Photo by Ken Sawyer/PEM
      New Earth Ceremony with Tatfoo Tan in 2019. Photo by Ken Sawyer/PEM.


      I take heart in knowing that there is a growing community of people taking action, including colleagues across the museum field joining together to share ideas about environmentally sustainable practices and actions as members of AAM’s volunteer Environment and Climate Network. Museums are uniquely situated in the cultural sector to engage with the public and our communities. As part of the messaging, we need to also look at what we are doing internally as institutions to make a positive difference. By working collectively and with urgency we can significantly slow climate change and mitigate the worst impacts. Through our museum’s Climate + Environment Initiative, we hope to inspire more people to get involved — and so can you!

      Jane Winchell on Derby Wharf during the making of PEM’s podcast, the PEMcast. Photo by Dinah Cardin.

      Editor’s Note: To hear Jane Winchell on PEM’s new Climate + Environment Initiative, tune into PEM’s award-winning podcast, the PEMcast. The episode also features PEM’s Maritime Art Curator Dan Finamore on our summer exhibition In American Waters.

      Jane Winchell on Derby Wharf during the making of PEM’s podcast, the PEMcast. Photo by Dinah Cardin/PEM.

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