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      PEM Reads

      The Many Names of Anonymity

      Saturday, May 16, 2026 from 2—3:30 pm

      The Many Names of Anonymity

      Know before you go

       

      Morse Auditorium
      Included with admission; pre-registration encouraged. 

      This program is made possible by the Pamela Cunningham Copeland Visiting Scholar Fund.

      Join us for an author talk and book signing for a groundbreaking new publication with close ties to PEM’s collection. In The Many Names of Anonymity: Portraitists of the Canton Trade, art historian Winnie Wong explores the vibrant community of artists working in Guangzhou, China in the 18th and 19th centuries. 

      Many of their paintings survive today, yet scholars have identified only a handful of the painters’ identities. Pushing against Western norms that have shaped our understanding of authorship, Wong reveals that these artists shared names, created works in multiples and signed their pieces with different names or none at all. She charts the genealogy of this naming problem by bringing to life the artists of the Qing Empire’s trade with Westerners at the port of Guangzhou, centering on a group of portraitists known by names that were recorded in a pidgin language: Chin Qua, Chit Qua, Spoilum, Lam Qua and Ting Qua.

      Wong’s lavishly illustrated book explores portraiture across media, including unfired clay, reverse painting on glass, watercolor on paper, oil on canvas and the daguerreotype, to propose new ways of studying anonymity, copying and the emergence of author names in the Chinese-European visual culture of the 18th century. 

      Wong will present a talk to introduce the book's main themes and then talk with Karina Corrigan, Deputy Chief Curator and H. A. Crosby Forbes Curator of Asian Export Art at PEM about her ongoing research.

      About our collaborators 

      Winnie Wong
      Winnie Wong

      Winnie Wong, Ph.D., is  Professor of Rhetoric at University of California, Berkeley. She is an art historian with a special interest in fakes, forgeries and counterfeits. Her work explores authorship, property and likeness through interdisciplinary inquiry, while her research is animated by the global reach of artists in and from the cities of Hong Kong, Guangzhou, and Shenzhen. Winnie holds a S.M.Arch.S. and a Ph.D. from History, Theory + Criticism at MIT and was elected a Junior Fellow of the Harvard Society of Fellows. She is the author of Van Gogh on Demand: China and the Readymade, awarded the Joseph Levenson Book Prize for the best book on modern China from the Association of Asian Studies in 2015. She is the co-editor of Learning from Shenzhen.

      Karina Corrigan
      Karina Corrigan

      Karina Corrigan's interests center on the material culture of global connections. She supports PEM's Chief Curator in leading the curatorial program and supervises a cohort of curators to advance PEM’s exhibitions and collection initiatives. In her curatorial practice she oversees the largest, most comprehensive public collection of art made in China, Japan and South Asia for export to other cultures. Corrigan lectures and publishes on many aspects of Asian Export art and has organized numerous exhibitions at PEM, including Power and Perspective: Early Photography in China and Japanomania! Japanese Art Goes Global. She served as the coordinating curator at PEM for Saints, Sinners, Lovers and Fools: 300 Years of Flemish Masterworks. Corrigan received a B.A. in Art History and Medieval Renaissance Studies from Wellesley College, an M.S. in Historic Preservation from the University of Pennsylvania and an M.A. from the Winterthur Program in American Material Culture. Corrigan received a 2019 Award of Excellence from the Association of Art Museum Curators for her work on PEM’s Asian Export Art gallery. Follow @asianexportart on Instagram.

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