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      Live Music

      Music in the Atrium: Celebrating Black History Month

      Sunday, February 8, 2026 from 11:30 am—1:30 pm

      Portrait of The A-Beez

      Other dates & times

      February 8, 2026 from 11:30 am—1:30 pm

      Music in the Atrium: Celebrating Black History Month

      February 15, 2026 from 11:30 am—1:30 pm

      Music in the Atrium: Celebrating Black History Month

      February 22, 2026 from 11:30 am—1:30 pm

      Music in the Atrium: Celebrating Black History Month

      Know before you go:

      In-person event
      Location: Main Atrium

      Included with admission

      This program includes live amplified music.

      Join us in celebrating Black History month through music! Each Sunday will feature a different musical group.

      February 8: The A-Beez

      February 15: The BEAT with Charles M. Murrell III

      February 22: We Black Folk

      Music in the Atrium is PEM’s live concert series that features local and visiting performers from a variety of musical traditions and styles. Concerts take place on select Sundays from 11:30 am–1:30 pm.

      About our collaborators

      The A-Beez
      The A-Beez

      The A-Beez is a Boston-based music collective with roots in soul, funk and R&B. At its core are keyboardist Amy Bellamy and bassist Aaron Bellamy. The two began their musical collaboration in the early 2000s as members of the Sam Kininger band (BMG Japan recording artists). This relationship would blossom as they would go on to work as sidemen and studio/session musicians, backing up artists including Chaka Khan, Beyoncé, Terri Lyne Carrington, Elan Trotman, Martin Luther, Cody Chestnut, CeeLo Green and many more. In addition to touring nationally and internationally, the Bellamys are staples of the local Boston scene, hosting a long-standing residency at Boston’s renowned Wally’s Café (over 14 years and still running) and performing in clubs and venues throughout New England and the East Coast. Their debut album, “Never Going Back,” was released in April 2015. Though it can be loosely classified as “soul,” The A-Beez have an eclectic and original sound which draws from the traditions of funk and R&B, and is heavily influenced by jazz as well as hip hop. You may detect hints of rock, country and even classical if you listen closely. The lyrics are deeply personal and honest, and the music grooves while remaining melodically elegant and full of subtle complexity. The production is pure and simple without the gloss and fakeness all too prevalent these days. Read more about them on their official website or here.

      The BEAT with Charles M. Murrell III
      The BEAT with Charles M. Murrell III

      Native to Dover, Delaware, Charles M. Murrell III is an AfriClassical musician, composer, civil rights activist and active member and composer for both Sotto Voce Saxophone Duo and Kaya Wind Ensemble. He is also the founder and director of The BEAT (Black Experimental Arts Theatre) Company. Murrell’s primary studies were with saxophonist Tim Green at Morgan State University. He has also worked with woodwind clinician Stephanie Sanders, artistic coach Larry Williams and composer Dr. James Lee III. He holds a composition residency with the American Studio Orchestra in Baltimore, MD and has written works for The Boston Conservatory Saxophone Ensemble, Delaware State University Music Programs and the R.E.A.L. Orchestra in Raleigh, North Carolina. Currently, Murrell resides in Boston, performing, composing and volunteering. He is a teaching artist at the Epiphany School and continuing studies under saxophonist Kenneth Radnofsky. Image courtesy of Castle of Our Skins.

      We Black Folk
      We Black Folk

      The main goals of We Black Folk are to build a Boston-based movement for Black folk arts and to present a large-scale interactive festival that will inform, highlight and expand the re-establishment of the Black folk genre. The group is responding to community desires to offer more of this genre and to provide a platform for the historically marginalized stories and music of Black American culture to be heard and seen. We Black Folk serves multiple audiences, including (but not limited to) the general public, performing/visual artists, production professionals (e.g., audio engineers/videographers) and small businesses.

      We Black Folk is a Boston-based movement encompassing interactive performances and conversations, providing platforms for marginalized stories and music of traditional Black Folk arts. With the use of archival media, they tell, showcase and archive the stories of Boston Black folk culture in efforts to preserve and unearth the often marginalized stories of this community.

      @weblackfolk, @thehipstory, @bamsfest

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