Connected \\ May 8, 2017
Museums excel at providing stimulating visual, intellectual and emotional experiences. But do we really know what’s going on inside the visitor’s mind? If we did, could we design even more effective and impactful museum experiences?
These are the questions driving PEM’s groundbreaking neuroscience initiative.
Thanks to a $130,000 grant from the Barr Foundation, a Boston-based philanthropic organization, PEM will work with a team of neuroscientists to gain deeper insight into emerging brain science findings to enhance interpretative and design strategies.
Marking a first for an art museum, this initiative enables PEM to hire a full-time neuroscience researcher as well as work with three consulting neuroscientists to synthesize research and publish recommendations for the museum field at large.
“It seems pretty clear to us that most people experience art on the basis of unconscious filters, operators, values, past experiences and knowledge…
In a recent interview with The New York Times, PEM’s executive director and CEO Dan Monroe reflected, “It seems pretty clear to us that most people experience art on the basis of unconscious filters, operators, values, past experiences and knowledge… [but] most do not actually stop and look carefully and consciously think about what they’re seeing.”
The new initiative will address the core nature of perception and learning, closing the gap between what visitors experience in a museum and what the corresponding neurological response is, or could be.
PEM’s engagement with neuroscience extends back several years, beginning with a neuroscience lecture for museum staff led by Wellesley College professor Bevil Conway. Since then, the museum has begun to incorporate brain science principles into exhibition design and interpretation.
Last year multi-sensory elements were integrated into the Asia in Amsterdam exhibition – fragrant spices and sounds of a 17th-century city life wafted in the foyer, tactile stations were created elsewhere to explore the difference between earthenware and porcelain – and in the Rodin: Transforming Sculpture galleries professional dancers encouraged visitor engagement.
More recently, our Shoes: Pleasure and Pain exhibition featured smaller zones to focus the mind, slow visitors down and enhance the sense of exploration and discovery in the galleries.
This summer’s exhibition “It’s Alive!” Classic Horror and Sci-Fi Art from the Kirk Hammett Collection provides the perfect platform to more deeply understand our complicated relationship to fear. Be sure to pick up a copy of the exhibition catalog, which will feature a thought-provoking essay on the topic by New York University neuroscience professor Joseph LeDoux.
For decades, museums have sought a minimalist approach when it comes to their galleries, hanging art on clean white walls so viewers can focus intently on the work before them. But what if they’ve been doing it all wrong?
– The Boston Globe
Read more about PEM’s “unprecedented step” in hiring neuroscientist, Tedi Asher, to help apply brain science to enhance the museum experience in today’s front page Boston Globe article.