Yu, Kil-Chun, 1856–1914, Korea. Postcard from Yu Kil-Chun to E. S. Morse, December 23, 1884, Edward Sylvester Morse Papers, E2
On May 17, the Peabody Essex Museum will celebrate the dual opening of the Yu Kil-Chun Gallery of Korean Art and Culture and Jung Yeondoo: Building Dreams. In conjunction with his solo exhibition, South Korean artist Jung Yeondoo created the newly commissioned work Syncopation #15 for PEM. This 24-minute video draws on the correspondence between the Korean Art gallery’s namesake Yu Kil-Chun (1856–1914), a pioneering Korean scholar and government official, and Edward Sylvester Morse (1838–1925), a director of PEM’s predecessor institution the Peabody Academy of Science.


Frank Weston Benson, Portrait of Edward Sylvester Morse, 1913. Oil on canvas. Gift of Edith Owen Robb, 1914. M4311. Peabody Essex Museum.
Yu arrived in Salem as part of Korea’s first delegation to the United States and lived in the area from 1883 to 1885. During his stay, he enrolled in the Governor Dummer Academy and developed a close friendship with Morse, exchanging handwritten letters that offer vivid glimpses into his experience in the U.S. and his aspirations as a young reformist scholar and politician. Though his dreams were cut short by political upheaval, Yu left a lasting legacy: He donated personal belongings to the museum and advised Morse on the acquisition of 225 Korean objects, laying the foundation of PEM’s Korean art collection.
Frank Weston Benson, Portrait of Edward Sylvester Morse, 1913. Oil on canvas. Gift of Edith Owen Robb, 1914. M4311. Peabody Essex Museum.

Jung Yeondoo envisioned this video as part of his ongoing Syncopation series, which he began in 2024. In this sensory exploration of historical memories and personal narratives, Jung first produced a video of rewriting a letter by Yu Kil-Chun, collaborating with Chi Minseok, a painter based in Mexico. Well-versed in East Asian ink technique but unfamiliar with Western penmanship, Chi’s lettering mirrors Yu’s experience. The artist and the calligrapher studied Yu’s letters closely, carefully treated the paper with stains and rehearsed multiple times. As Jung noted, “Everyone has different habits and timing when it comes to pressing and moving their pen across paper.”
Syncopation #15 includes music performed by Boston-based jazz musician Noa Zebley. The performance was filmed in one take in Salem’s historic Ames Memorial Hall, as Zebley improvised onstage while responding in real time to the calligraphic gestures unfolding onscreen. Her breath-infused performance on wind instruments, punctuated with long pauses, channels the emotional undercurrents of the letter into sound and gesture.
In the letter Jung selected for the reenactment, Yu wrote: “I cannot write many letters on this board, for this ship is shaking too much.” He was on a journey back to Korea during a moment of personal and political turmoil. The reformist party Yu belonged to had lost favor, and he was returning to a government that had turned against him. His unsteady handwriting hints at the physical conditions on board the ship and, perhaps, his unsettled state of mind. A copy of the letter can be found in PEM’s Korean Art gallery, along with the hat, shoes and sweat protector Yu gave to Morse in 1883.

Syncopation #15 will be on view at PEM on May 16 and 17. Jung Yeondoo will also be present to talk about this work and share more behind-the-scenes stories during a conversation with curators on May 17. Throughout the opening weekend, PEM will host musical performances, other artist talks and art making opportunities centered around Korean culture. We look forward to seeing you in the galleries!
This project is supported by the Overseas Korean Cultural Heritage Foundation, Korea.
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