Candice Breitz, Stills from The Interview, 2012


Shot at Wheatbaker Hotel, Lagos, Nigeria: June 2012 

From the trilogy The Woods


Candice Breitz: The Woods

Tour duration: October 19, 2013 to September 15, 2015


Internationally renowned video artist Candice Breitz explores how we create, define and perform identities in a world of mass media saturation. In her newest work, a trilogy called The Woods, Breitz delves into the cinematic culture of three epicenters of global filmmaking -- Hollywood, Bollywood and Nollywood -- to reflect the experiences of child actors and actors who perform childhood. With each section, shot in Los Angeles (The Audition), Mumbai (The Rehearsal) and Lagos (The Interview), The Woods cleverly splices together actor interviews to examine the movie industry's nuanced culture of aspiration and emulation.

The Peabody Essex Museum and the Australian Centre for the Moving Image, Melbourne, co-commissioned The Woods. Jeffrey P. Beale and Fay Chandler provided generous support. Terry and Dick Albright, Raj Malhotra and the East India Marine Associates of the Peabody Essex Museum provided additional support. 


Perry Rubenstein Gallery | www.perryrubenstein.com | October 19, 2013 -  December 14, 2013

Peabody Essex Museum | www.pem.org | October 11, 2014 - March 1, 2015

Blaffer Art Museum | www.blafferartmuseum.org | May 30 - September 6, 2015


Related Events

A Miracle of Collaboration: Making a Documentary › Create Space
Sunday, February 15, 2015 from 1pm - 3pm
Reservations by February 10

Members $140, nonmembers $165

In this three-part, in-depth lab experience, explore documentary films of all shapes and colors - newsreel, interview-driven, experimental and reality TV. Participants work in small production teams to generate concepts, experiment with basic recording devices, both audio and video, and complete a mini-documentary shoot in the museum. Held in partnership with Salem Film Fest, which this year is March 5, 6, 7, 8, 10 & 12. Class continues on Sunday, February 22, and Sunday, March 1.

Further Reading